after the quake
UFU in Kushiro | Landscape with Flatiron | All God’s Children Can Dance | Thailand | Superfrog Saves Tokyo | Honey Pie
Read by Rupert Degas, Teresa Gallagher & Adam Sims
In 1995, the Japanese city of Kobe suffered a massive earthquake. Nearly 6,000 people died. after the quake was the imaginative response from Japan’s leading novelist, Haruki Murakami: six stories, each dealing not directly with the catastrophe but the wider seismic effect it had on the emotional lives of people many miles away. It became a catalyst for individuals to reassess their lives with unexpected consequences for themselves and their families and friends around them. after the quake is Murakami’s most popular short story collection.
Running Time: 4 h 20 m
More product details
ISBN: 978-962-634-432-3 Digital ISBN: 978-962-954-622-9 Cat. no.: NA443212 CD RRP: $28.98 USD Download size: 63 MB BISAC: FIC029000 Released: January 2007
Buy Download £11.00Buy Download €10.42 + VATBuy Download $19.00 USDBuy Download £9.17 GBP
Downloading on a mobile device?
Currently, restrictions on the delivery of files to mobile devices mean our download titles must be downloaded to a desktop computer and then transferred to the mobile device.
Download links are also delivered to you via e-mail: see Download Shop – How It Works for more details.
Buy on CD at NaxosDirect.com
Due to copyright, this title is not currently available in your region.
You May Also Enjoy
Included in this title
- UFO in Kushiro
- Landscape with Flatiron
- All God’s Children Can Dance
- Superfrog Saves Tokyo
- Honey Pie 1
- Honey Pie 2
The connection with the 1995 Kobe earthquake in these six unabridged stories is curiously nebulous, but it keys with their uncomfortable sense of dislocation. Junpei, like Murakami, broke away from his parents long ago and doesn’t call them after the quake; Yoshiya’s mother insists he is a son of God, but on a train, he pursues a man he believes to be his father. Relationships are intense but ultimately unfulfilling, and obsessions, like Junko’s with building beach fires, are all-absorbing but purposeless. The narrators succeed in conveying the striking, vibrant reality of these worlds and their aimless, intriguing weirdness.
Rachel Redford, The Observer