Read by Rupert Degas
The award-winning Restoration is one of Rose Tremain’s most popular works, and showcases her remarkable talent for capturing historical settings and personalities. Set during the English Restoration in the decadent court of King Charles II, the novel weaves a story of corrupted innocence, betrayal, love and hope against a fascinating historical backdrop. Written in the first person, the fortunes of the fallible but charismatic courtier Robert Merivel are utterly compelling. Restoration lyrically evokes the rich tapestry of seventeenth-century London life.
Running Time: 6 h 51 m
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ISBN: 978-962-634-976-2 Digital ISBN: 978-962-954-875-9 Cat. no.: NA697612 CD RRP: $34.98 USD Download size: 100 MB BISAC: FIC000000
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There is a heartstopping passage in Restoration, at our hero and narrator Robert Merivel’s wedding feast. He describes how, as his father-in-law plays an air of intense melancholy on his viola da gamba, he is overcome with an unhappiness so profound he has to run outside and weep. This epiphany is described to the strains of that very piece, John Dowland’s Flow my Tears, one of the most powerful uses of music I have ever heard on an audio production. The period is the 1660s, and we follow the rise, fall and redemption of the troubled physician Merivel, made palpably likeable by Degas’s performance. He becomes a favourite of Charles II, gains and loses wealth, works at the “new Bedlam” in the Fens and returns to London for the plague and the great fire, finally buttressing his sadness with a sense that he can be “useful”.
Karen Robinson, Sunday Times
The restoration of the English monarchy, in the person of Charles II, forms the background for Tremain’s historical fiction, which follows the life of the profligate courtier Robert Merivel. Initially favoured by Charles, Merivel goes from triumph to despair – as does the restored king himself. Rupert Degas captures Merivel’s character perfectly – his self-important foolishness during his time in the limelight and his bumbling nature during his lowest lows. When combined with Tremain’s amazing eye for detail, the story shows great promise. The abridgement, however, breaks the flow to an extent that it loses much of its power.